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Spotify: cara a cara con la música
Sastre Boquet, Isaac; Vroom, GovertCase SM-1613StrategyEl caso describe el modelo de negocio de Spotify, enmarcado en el declive de la industria musical, cuyos ingresos empezaron a descender a finales de los 90, con la llegada de los formatos digitales, y debido al aumento del intercambio ilegal de archivos. El caso también muestra la competencia a la que Spotify ha tenido que hacer frente, como Pandora, Google y Apple y que, con el tiempo, ha planteado la pregunta de si el modelo de negocio de Spoti...Starting at €8.20
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Spotify: cara a cara con la música (actualización del 2018): En busca de la rentabilidad
Vroom, Govert; Sastre Boquet, IsaacCase SM-1657Information Technologies, Innovation and Change, StrategySpotify alcanzó los 3.000 millones de dólares en ingresos en 2016, en medio de un floreciente mercado de la música en streaming que ahora representaba el 51% de los ingresos totales de la industria musical en Estados Unidos. Finalmente el sector había adoptado la digitalización y ahora experimentaba un crecimiento superior al 10% por primera vez en décadas. Sin embargo, ese crecimiento tenía un punto débil: la propia Spotify se enfrentaba a unas ...Starting at €8.20
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Spotify: Face the Music
Sastre Boquet, Isaac; Vroom, GovertCase SM-1613-EStrategyThe case describes the business model of Spotify, setting it against the backdrop of a music industry that has faced steep revenue declines since the advent of digital formats in the late 1990s and the rise of illegal file sharing. The case also presents the competition Spotify is facing from the likes of Pandora, Google and Apple and eventually poses the question of whether Spotify has a viable long-term business model despite explosive user and...Starting at €8.20
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Spotify: Face the Music (Update 2016): Facing Increased Competition
Sastre Boquet, Isaac; Vroom, GovertCase SM-1642-EStrategyThe case describes the business model of Spotify, setting it against the backdrop of a music industry that has faced steep revenue declines since the advent of digital formats in the late 1990s and the rise of illegal file sharing. The case also presents the competition Spotify is facing from the likes of Pandora, Google and Apple and eventually poses the question of whether Spotify has a viable long-term business model despite explosive user and...Starting at €8.20
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Spotify: Face the Music (Update 2018): Seeking Profitability
Vroom, Govert; Sastre Boquet, IsaacCase SM-1657-EInformation Technologies, Innovation and Change, StrategySpotify reached $3 billion in revenues in 2016, amid a booming music-streaming market that now made up 51% of the U.S. music industry's total revenues. Finally the industry had embraced digitization and was now seeing two-digit growth for the first time in decades. However, that growth had an Achilles' heel. Spotify itself was staring at an operating loss of $350 million, having never been able to post a profit in all its years of existence. Now,...Starting at €8.20
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Value Creation and Capture: Competitive Strategy
Ly, Bryan S.; Vroom, GovertTechnical Note SMN-678-EInnovation and Change, Leadership and People ManagementThis note introduces the basic concepts of value creation and value capture, which are used as the building blocks for many other concepts, tools, and frameworks in Competitive Strategy. Defining these concepts allows us to think and talk more precisely about Competitive Strategy. They also allow us to make progress in our understanding of what strategies might actually work, and which are doomed to fail. In this note, we will also define some ot...Starting at €8.20
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The Music Industry in the 2020s
Vroom, Govert; Deshmane, Abhishek; Sastre Boquet, IsaacTechnical Note SMN-706-EInnovation and Change, StrategySince the emergence of digital technologies in the 1990s the music industry has been in a state of constant disruption. In a world where multiple media compete for the attention of individuals through multiple channels, the ways people all over the world are now creating, distributing, and consuming music seem to be more diverse than ever. This note describes the current state of the industry, the value chain, its actors (artists, music labels, d...Starting at €8.20
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New Immuno-Oncology Solutions (NIOS) - Teaching Note: Aligning stakeholders in the biotech industry
Vroom, Govert; Maribel Berges; Sastre Boquet, IsaacTeaching Note SMT-136-EEntrepreneurship, Innovation and Change, StrategyThis case focuses on a small biotech company (NIOS), located in Barcelona, Spain, that is developing a new immune-oncology product for treating pancreatic cancer. The drug that the company is developing has recently finished Phase I of clinical trials successfully and is now preparing for Phase II and III. At this point, the CEO is approached by her former PhD director, a university professor, who asks if the company is interested in licensing a ...Starting at €0.00
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Spotify: Face the Music (Update 2021)
Vroom, Govert; Sastre Boquet, Isaac; Deshmane, AbhishekCase SM-1709-EEntrepreneurship, Innovation and Change, StrategyBy 2021, streaming had become "the" way to consume music, revitalizing an industry that was seeing double digit growth rates for the first time since the 1990s. And with its 155 million paid subscribers and 355 million total users, Spotify was undisputedly the most popular music streaming service in the world - for the year of 2020, it posted record revenues of 7.88 billion. Yet, despite those numbers, in all its history, Spotify had never been ...Starting at €8.20
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Spotify: Face the Music (Update 2019) - Teaching Note
Vroom, Govert; Sastre Boquet, IsaacTeaching Note SMT-129-EInformation Technologies, Innovation and Change, StrategyIn early 2019, Spotify announced an operating profit of 94 million in for the fourth quarter ofQ4 2018. The world's largestindustry leader of streaming company was for the first time approaching profitability for the first time, after a decade of massive losses. Previouslydespite its a staggering increase in revenue, which had exceededreached over $5 billion at the end of 2018, had failed to get it out of the red. By the late 2010s, streaming ...Starting at €0.00